Wednesday 14 April 2021

Out of Blue

I'm going to start at the end.

When I came back from watching "Out of Blue" at the cinema I looked it up on Wikipedia, and found out that it's based on a book (Night Train by Martin Amis), and that book is a parody. Which makes the film make so much more sense. Unfortunately, the film lacked that reflexive self-aware quality of good parody. There's a beautiful quote from the Torygraph that I think sums the film up perfectly - "This New Orleans-set detective thriller from Carol Morley pulls off an undesirable yet weirdly impressive coup: the twist ending to its murder mystery is somehow simultaneously preposterous and obvious, like a clown car parping and swerving its way towards you from the far end of an airstrip."

That statement is true of everything that happens in the film. You think, oh, they're using this tired trope in this really unsubtle way to subvert it. And then they don't. It's not just one tired trope, it's all of them. In sequence. In obvious sequence.

It wouldn't be so bad, I mean basic thrillers are ten-a-penny, yeah, they're not good, but they're not bothersome either, they're Sunday-afternoon-plans-have-washed-out films. But this film keeps putting on these airs and graces, all "I am a serious film, making serious statements. I AM ART!" when it's really not. It tries to be clever and turns out dumb. Also the physics is terrible. But I suspect that's deliberate, because the physics they use is all trope-y and we're back to "tired trope played straight."

It's a waste of some lovely cinematography and a good soundtrack. And some solid performances. Patricia Clarkson as Mike Hoolihan gives enough mystery and enigmatic to be engaging despite being all but one of the hard-bitten female detective clichés. Toby Jones is Toby Jones so you know he's good. Aaron Tveit's Detective Silvero does a good job of sleazy and sinister ... like every other male character. Basically, the female characters suffer and the men are sleazy and sinister. It's very thin that way.

It's one of those rare films I'd actually disrecommend.

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