I warned you I'd cheat and add a ninth photo in some of these.
At the end of the last post, I explained we had to get to Alcazar exactly on time. I expect that's always required, but it was made more of a thing by the circumstances of when the tour was. I must draw you back to the beforetimes and the heady days of Summer 2019, possibly the height of Game of Thrones mania. The show runners had used the Alcazar as the Dornish palaces (https://www.andalucia.org/en/game-of-thrones-in-andalusia), so there were even more people than usual wanting to see it. According to our tour guide, you booked 6 months ahead if you wanted tickets to see inside.
And, as you'll hopefully see from my photos, you really want to go inside.
(For more information, please see: https://www.andalucia.org/en/sevilla-visitas-real-alcazar-de-sevilla, www.alcazarsevilla.org or https://en.wikipedia.org/wiki/Alc%C3%A1zar_of_Seville).
The Alcazar is where I really went OTT on the photographs. It's because the things I like in art and design, whether it's painting, architecture or decorative objects, is colour, shape and texture. Mudéjar style is basically catnip for me.
One of the rooms that leads out onto the patio de las Doncellas
I am sharing one of those below because the contrast of how green it was and the aridity of the surrounding countryside, as seen around Ronda and Grazalema really helped explain the things about the first wave of Caliphs saying "this, this is what heaven looks like." (Some paraphrasing from the story involved)
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