Duchess of Malfi 2000 - Theatre Review

Part of L’s attempts to introduce the mad scientist to culture.

Spoilers throughout.

The details of the production can be found here - The Duchess of Malfi | Almeida Theatre

It was a modern dress production featuring a stark set design with tiling, heavy use of black and white, and a video screen to highlight key messages. I really liked the set design - it was clean and effective without overwhelming the acting. L was less kind, wanting to know “if the 90s had called, and asked for their Avant Guarde ideas back”.

I didn’t like the climactic fight scene. I understand the message they were trying to convey, ‘blood begets blood’ and so on, but there is a fine line between “over the top” and “silly” and the end fight fell over that line. My main thought after a tragic finale shouldn’t be “how on Earth do the costume department handle matinees?”

Which is unfortunate, because the acting was good. My favourite bit of business was Antonio telling Delio about one of the later children, and Delio said “congratulations” and his body language said “you do it to yourself, you do.”

L did think the villainous brothers were a bit underdone, and we both noticed the play lost steam after the Duchess was murdered. However, that might be a structural flaw in Webster’s script rather than this specific production; as this is the only version I’ve seen, I have no point of comparison. [L here, it is the play, Act 5 is famously a mess]

If you want to see what actual theatre critics thought, there are links here -
What's On Stage
The Guardian
Time Out London
Londonist
City AM

The Londonist article has the best pictures of the set and cast, even if it’s the least positive review.

It was a good way to dip my toes into theatre that isn’t Shakespeare.

Leonardo: Experience a Masterpiece - exhibition review

"Leonardo: Experience a Masterpiece" was an experimental exhibition at the National Gallery that ran in winter 2019/2020. Full details can be found here. 

It was centred around the Virgin of the Rocks. Reading that article, do I find it hilarious that the National Gallery exhibition said nothing about the Louvre version generally being regarded as the “more made by Leonardo” one? Of course I do. 

L took me following previous Leonardo-related adventures. 

The exhibition had four distinct parts. 

The first put the Virgin on the Rocks in context. Lots of stuff about the why and the background, interestingly presented in some mirrored cubes in multiple languages. 

The second, and least successful to my mind, was the “Studio” section, which I think was supposed to be about the how. The problem for me, was that it seemed to reflect mid-Victorian views on what an artist’s garret was supposed to be like, rather than a renaissance studio. I’ve always imagined Leonardo’s studio as a massive, bustling space full of students and materials, rather than the dark quiet empty space presented here (I have no idea if this is actually true, but still.) 

I really liked the third section, which was all about shadows and how they look. Like most people, I dabble in drawing, and I find shadows and a sense of depth to the objects I draw to be the most difficult thing (don’t worry, no terrible sketches will be shown). I found this section to be really good at showing (not telling) how light and objects interact. 

The final section was the painting itself. The curators did a very good job of keeping the crowds down here and letting the audience sit peacefully and enjoy looking at the painting. The CGI used to simulate the altarpiece the painting may originally have sat in was a little distracting, but once you’d got used to the rotation of potential altar pieces, it was also quite soothing. 

Overall, I’d say it was an interesting experiment in setting an exhibition around a single painting, but with some flaws.

Film Review - Star Wars IX - The Rise of Skywalker

A summary of my review: Well that film didn't work 

Spoilers for all of the Star Wars films dotted throughout 

I have some sympathy for the people who had to try to pull this together, because The Force Awakens was a pallid retread of A New Hope, then Rian Johnson pulled The Last Jedi in a completely different direction (don't get me wrong, I think the Last Jedi is the best of the sequel trilogy but it's a terrible Star Wars film) and they then had to make a film to try to wrap up the story. 

Unfortunately, it felt like none of the different parts of the film fitted together. 

I'll use the title as an example. The Rise of Skywalker - excellent strong title. 

Utterly meaningless within the context of the film. 

Name me one Skywalker who rises in this film? By the end of it, they're all dead. (Yes, I know my genre conventions, if there is no body, they're coming back, if there is a body, they might still come back, if there's a body and they're the Master, check behind the door, but for the purposes of the film, they're dead.) Fine, Rey calls herself Skywalker (and Luke and Leia would support her in that) but there is no rise, there's just her giving things up in the desert. 

Killing Kylo Ren is the easy narrative option. It feels cheap. The harder, more interesting option, would feature good guys trying to figure out where he fits in a better new world, surrounded by people he tried to kill and whose friends and relatives he succeeded in killing. 

There's a few other parts like that, where you can feel them choosing the easy way out rather than trying something and I think that's the weight of being Star Wars. See also, mysteriously reappearing Palpatine. 

There's also the lengths Hollywood will go to, to not show Finn and Rey kissing. I see you and what you're up to, Disney. 

From a purely stylistic point of view, I'd re-cut the cavalry charge scene. I think I know what they're trying to do, but the way it intercuts with the rest of the space battle takes away from them both. 

There's a serious emotional disconnect between what's going on on the screen and me in this film. 

An example, they blow up Kijimi and no one cares (this isn't hyperbole. The planet blowing up doesn't even make it into the summary of the film - https://en.wikipedia.org/wiki/Star_Wars:_The_Rise_of_Skywalker). It's not lack of time spent with the planet and its people; we never see Alderaan in A New Hope, but we feel when it is destroyed. That connection is completely missing here. 

Because of that lack of connection, which I blame on them setting up three main characters then never letting them interact with each other much after the first film (I have a theory about the why of that in my sequel trilogy summary post that I am in the middle of writing), all the emotional weight of the film has to be carried by Chewbacca and C3PO. Despite my love for the characters, this is not a good sign. 

(I am a fully paid up member of the "Chewie should have got a medal at the end of A New Hope" campaign and the bad thing that happens to him is why I stopped reading the Star Wars EU novels, while nothing in the new trilogy got to me as well as that moment where C3PO, knowing the risks, decides that the Rebellion needs him to find out what that text means.) 

It's not that there aren't bits that I love. 

Evil once again sounding British and sudden unexpected Richard E. Grant. 

I like both the Hux reveal and his reasoning. I know people complained that it was a bit thin but he is completely the sort of person who would betray a cause just so someone he hated didn't win. Also, a non-Sith who can hide his feelings from a Sith through hate alone. That's going some! 

I love Lando. 

Adam Driver's mega-watt smile. There's reams to be written about the sequel trilogy being unbalanced by Kylo Ren, but oh the five-to-ten minutes of Ben Solo that we did get ... (I am a simple creature and I like a good pseudo-sword fight). 

And there's these occasional hints of a much darker version of the film underneath, and that's a much more intriguing film. It fits in with DJ in The Last Jedi. Examples include Poe being a Spice runner.

There is also no way you will ever convince me that the vision of Han that Kylo sees isn't Luke pretending to be Han, not Han himself. Like, it makes no sense for it to be Han, Han is not a Force user and it's hard even for Force users to do that. But Luke, making one final bid to save Rey, that works, and it make him a much more manipulative character than the rest of the film is willing to let him be. 

There's so much interesting potential wasted. 

Rise of Skywalker doesn't work as itself, it doesn't really work as a Star Wars film, it's a damp squib of an ending to the series and collapses under the weight of being Star Wars.

Budapest by Day

Once I realised where the hotel was relative to Buda Castle, I had an idea. (People who know me are now playing the beginning of Beethoven's fifth in their head) 

I start work at 8.30. If I got up early enough, I could do a quick tour of the outside of the castle and come back down in time to start work. 

It also gave me the opportunity to travel in a funicular carriage - an unexpected delight!  

I got the first funicular up to the castle in the morning, which meant I saw sunrise over Buda Castle.  

It was a proper "all-timer" of a memory. 

One thing that got me is I knew who the statue was without looking. Now I'm sure it's because the statue is the same as - or really similar to - the statue in the Heldenplatz, but I didn't need to see the plaque to know that's Prinz Eugen. 

(Having looked this up while writing this post, I've discovered that the first funicular now leaves at 8. I'd like to believe I would have gone up the stairs if there had been no funicular. I would have missed out on something spectacular if I hadn't.) 

I did an hour wander around the outside of the castle. Map of the castle so you can sort of place the next few photos. 

And yes, it was quite foggy. 

The next three photos are from Buda castle facing Pest. 

They move from left to right.

   

View directly across the Kettenbrücke from the castle. You can also see several of the big fancy hotels.

 

Two photos of the Matthias Church.  

I acknowledge the church overall is impressive, but I do love that style of roof excessively. I blame the Stefansdom. 

And finally the Fisherman's Bastion.  

It's such a delightfully different structure to find in the middle of a castle complex. 

As you can see in that last picture, people were starting to appear at the Castle District which was a good sign that I needed to get back down to the hotel to start work on time. Which I did.