Thursday, 21 August 2025

Sword Fighting Films - The Prisoner of Zenda

This entry is a bit easier to write, because there are no bad versions of the Prisoner of Zenda. 

There is definitely a best version. 

The best version is the black and white 1937 version with Ronald Colman, Douglas Fairbanks jnr, Raymond Massey and David Niven. 

If, like me, your tastes tend sword-fight-wards, it's one of the greatest films you'll ever see. 

Why do I say this? 

1 - The way it adapts the book. It is such a good adaptation. It digs out all the best parts of the book and dispenses with most of the opening section which is … not good. 

2 - The lighting and set design. Everything looks so good. 

3 - The acting. Ronald Colman does such a good job as both Rudolf Rassendyll and Prince Rudolf. As Rassendyll, he is a good man but tempted, ever so tempted. He makes it believable that Rassendyll might turn on the Prince. (He's also good as the Prince who learns to be better. You believe he will become better for this.) 

You believe C. Aubrey Smith and David Niven when their characters say they know Rassendyll is a good man, probably better than the King, but that if he does betray the King, they will be the first people he has to kill. 

Raymond Massey's take on the line "God save the King" when a Rudolf turns up at the coronation is one of the funniest things you will ever hear. He's so marvellous as Black Michael. (He's Raymond Massey, he's always marvellous) 

And then you have Douglas Fairbanks jnr as Prince Rupert of Hentzau. He's just so perfectly charmingly villainous. There's a reason some part of you cheers when he escapes most consequences. When he leans against a doorway early on he is absolute smouldering desire. In a film with perfect casting, he is the most perfect. 

Prince Rupert can easily overwhelm a film but that's where Ronald Colman's ability to convey decency is so vital (in much the same way as James Cagney gets all the glory for Angels with Dirty Faces, but that film wouldn't work if Pat O'Brien couldn't do decency that well). It also has the best swordfight in Hollywood films (some people suggest the long fight in Scaramouche is better. These people are wrong.)

   

The Stewart Granger, James Mason, Robert Douglas and Robert Coote version from 1952 is often derided as being nothing but a colour remake, and it's true that it's not as good, although their Princess Flavia (Deborah Kerr) is stronger. 

There aren't as many other versions of this as there are of several other entries in this series. I'm not sure why. I think it's because it's harder to bend the story to other ways of telling it … although I do like that love makes the good people better and the bad people worse. It's very much set in a time, place and cultural setting. Which makes my choice of something different quite amusing. 

For my something different, I am going with a Doctor Who episode, the Androids of Tara which runs the plot straight into a Doctor Who episode, with added bonus android doubles. It takes that silly premise and runs with it.  

My favourite character is Lamia who is mostly original to the Doctor Who episode (she is the stand in for Antoinette de Mauban but gets more oomph and stuff to do) and I still don't quite forgive it for what they do to her but it does feature Peter Jeffrey as not-Rupert and he is marvellous avuncular evil, which sadly the trailer does not feature enough of. 

It also has the Fourth Doctor pointing out how ridiculous the whole thing is, and swordfighting, where they steal chunks of the Colman fight. 

Given the recent upswing in sword-fighting films, I live in hope we might get a new film for this as well.

No comments:

Post a Comment